ARMY OF DARKNESS
A three-issue series published by Dark Horse Comics, Inc., 1992. Written by Sam and Ivan Raimi of Renaissance Pictures. Adapted from the original screenplay and illustrated by John Bolton. Edited by Mike Richardson.

     By Stephen Pytak 
     Blood. Lots of blood.
A scene in a temple where giant stone pillars come crashing down and smash a zombie into paste.
And a bit of nudity.
This is what horror film fans were hoping to see when they bought tickets to see the third chapter of Sam Raimi's "Evil Dead" trilogy.
But unfortunately, the only place you're going to find this version of "Army of Darkness" is in the incredible three-part comic book series by John Bolton.
If you're a fan and you missed these when they were released in late 1992, you can still find the books on Ebay.
I don't know much about John Bolton, but I know he did a lot of work for Dark Horse, in particular the covers for the incredible 12-part comic series "Aliens/Predator: The Deadliest of the Species (1993)." But its obvious he has an appreciation for "The Evil Dead" series.
There's something genuinely scary about the first two "Evil Dead" films. It starts with the Book of the Dead itself and the drawings in it, the ones of the zombies with the white eyes. Then, we start to see these things come to life as characters become possessed one after another.
That something is brought to life in the books, thanks to Bolton. There's a darkness here. The comic books actually look like they're parts of the Book of the Dead.
Raimi really created something special with the ending of "Evil Dead II," it seemed like he wanted to take his series to another level.
Good idea.
Unfortunately, the studio didn't give him enough bucks or support to make the ultimate "Evil Dead" movie.
His vision, however, was preserved by Bolton and Dark Horse.
Here are a few reasons why "Army of Darkness" fans should start looking for these books on-line now.
Every page is in full color. And the comics contain the complete story, including the things Raimi wanted to put on film but couldn't afford to.
Let's start with the pit scene. In the movie, Ash fights two deadites down in the drink. In the comic, he tackles a bunch. Heads fly off. Blood sprays everywhere. Universal would have never let Raimi film this.
Then there's the temple scene. Ash fights a deadite in the ruins of a church. The deadite pushes a bunch of stone pillars down and they fall like dominoes. Everything's here, even the part where Ash kicks the deadite's head like a soccer ball.
The flying she-bitches look better than the one KNB Effects Group whipped up.
There's a bit of nudity. In issue #3, when Sheila is brought before Evil Ash he tears her dress down. Gotta love it.
There's also more dialog. And it's pretty funny stuff.
When the flying she-bitches attack, Ash experiences a moment of indecision.
"The Wiseman had agreed to send me back to my own time. I was already thinkin' 'bout my job back at S-Mart. How I'd be pullin' some double shifts to pay for that bar/CD player with the built-in simulated fireplace. The kind where the logs look like they're burnin'. But it's just a light bulb. It had been on layaway and that sweet baby would be mine real soon. Yeah. I was so close to getting home. Even found my parking stub. Lot 3-G. But that was before the deadites came. Home would have to wait…"
Copyright 2002 by Stephen Pytak