Jesus Christ, Vampire Hunter
 
Odessa Filmworks Inc., 2001. Original music by Graham Collins. Written by Ian Driscoll. Directed by Lee Demarbre. Starring Phil Caracas as "Jesus," Maria Moulton as "Mary Magnum" and Jeff Moffet as "El Santo Enmascarado de Plata."

     By Stephen Pytak 
     This is one of the strangest feel-good films you'll
ever see.
      It's a bold comedy-musical-independent-action film 
about vampires and lesbians, fashion and the 
apocalypse and Jesus Christ and the masked Mexican 
wrestler "El Santo."
And it's got a theme song about getting laid that will stick in your brain and put a spring in your step.
Some genius came up with this. Too bad he didn't have a bigger budget. The plot is kind of simple.
A group of vampires are hunting lesbians to convert them into bloodsuckers. The Catholic Church decides to put a stop to them, and two priests, one who has a punk mohawk, figure the only way to stop these midnight sons is to call upon "The Son of God."
Lucky for them he's available. They find him baptizing faithful at a beach. That's actor Phil Caracas dressed as the Western idealized vision of "Jesus," with a white robe and sandals, beard and long hair.
As soon as the priests approach "The Savior" a couple of day walkers attack. And Jesus gets the chance to kick some vampire butt.
Jesus decides the only way to stop the vampire vermin is to go undercover. So he goes to a stylist, gets a haircut and a shave and gets his ears pierced.
He also gets a partner, "Mary Magnum," a lesbian hottie who drives a motorcycle. She takes him shopping for new clothes and finds that the carpenter's son isn't hip on style.
When Mary gets attacked and converted, Jesus calls up "El Santo" for help. Together, they stake and stomp any vampire in their way.
There's a lot to like here.
It's a super hero movie with a very unlikely super hero.
We've heard of Christ the Healer and Christ the Teacher, but never Christ the Impaler.
The filmmakers play the whole super hero thing up, like the makers of the old "Batman" TV shows did. Remember there used to be a swirling bat symbol during scene changes in those shows? Well, here you have swirling crosses and a choir singing their most dramatic "JESUS! JESUS! JESUS!"
It's got a lead actor who can carry it off.
If you're the kind of person who believes Jesus can look like anyone, beyond the beard and the robe, then you won't have a problem accepting Phil Caracas.
He comes off as an average guy who's not always sure of himself. Sure he can walk on water. But his steps are less than perfect. And that's what I liked about him. He was very human and very funny.
The film also dares to be different and dares to break convention. It's pure independent cinema. And I really like that.
It has its strengths. But it also has its limitations and weaknesses.
It was shot on a low budget and it shows. And Master Yuen Wo Ping didn't exactly choreograph the fight scenes.
But that won't stop me from putting the DVD into my Playstation some night when I need some divine inspiration.
Copyright 2002 by Stephen Pytak