By Stephen Pytak
This is one of the strangest feel-good films you'll
ever see.
It's a bold comedy-musical-independent-action film
about vampires and lesbians, fashion and the
apocalypse and Jesus Christ and the masked Mexican
wrestler "El Santo." And it's got a theme song about getting laid that
will stick in your brain and put a spring in your step. Some genius came up with this. Too bad he didn't
have a bigger budget.
The plot is kind of simple. A group of vampires are hunting lesbians to
convert them into bloodsuckers.
The Catholic Church decides to put a stop to them,
and two priests, one who has a punk mohawk, figure
the only way to stop these midnight sons is to call
upon "The Son of God." Lucky for them he's available. They find him
baptizing faithful at a beach. That's actor Phil
Caracas dressed as the Western idealized vision of
"Jesus," with a white robe and sandals, beard and
long hair. As soon as the priests approach "The Savior" a
couple of day walkers attack. And Jesus gets the
chance to kick some vampire butt. Jesus decides the only way to stop the vampire
vermin is to go undercover. So he goes to a stylist,
gets a haircut and a shave and gets his ears pierced. He also gets a partner, "Mary Magnum," a lesbian
hottie who drives a motorcycle. She takes him
shopping for new clothes and finds that the
carpenter's son isn't hip on style. When Mary gets attacked and converted, Jesus calls
up "El Santo" for help. Together, they stake and stomp
any vampire in their way. There's a lot to like here. It's a super hero movie with a very unlikely super
hero. We've heard of Christ the Healer and Christ the
Teacher, but never Christ the Impaler. The filmmakers play the whole super hero thing
up, like the makers of the old "Batman" TV shows did.
Remember there used to be a swirling bat symbol
during scene changes in those shows? Well, here you
have swirling crosses and a choir singing their most
dramatic "JESUS! JESUS! JESUS!" It's got a lead actor who can carry it off. If you're the kind of person who believes Jesus can
look like anyone, beyond the beard and the robe, then
you won't have a problem accepting Phil Caracas. He comes off as an average guy who's not always
sure of himself. Sure he can walk on water. But his
steps are less than perfect. And that's what I liked
about him. He was very human and very funny. The film also dares to be different and dares to
break convention. It's pure independent cinema. And
I really like that. It has its strengths. But it also has its limitations
and weaknesses. It was shot on a low budget and it shows. And
Master Yuen Wo Ping didn't exactly choreograph
the fight scenes. But that won't stop me from putting the DVD
into my Playstation some night when I need some
divine inspiration.
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