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A
Massimo Dallamano Film, 1972.
Distributed by American International
Pictures. DVD by Shriek Show,
2002. Directed by Massimo
Dallamano. Starring Fabio Testi,
Karin Baal, Cristina Galbó and
Camille Keaton as "Solange."
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By Stephen Pytak
If it wasn't for a DVD distributor called "Shriek
Show," we probably wouldn't be seeing great flicks
like this. In recent months, gore classics like "Zombie
Holocaust (1980)" and sickies like "Beyond the
Darkness (1979)" were released thanks to Shriek
Show. I think films like these were often ignored by other
DVD production companies, like Anchor Bay
Entertainment, because they pushed the envelope on
gore and sex. But some films use these elements to great effect.
With that in mind, let's talk about Shriek Show's
"What Have You Done To Solange?" It's a giallo about college girls, sex, abortion and a
psycho dressed in black who enjoys impaling the girls
with carving knives. The story is told from the point of view of a teacher
at a college for girls. The teacher is played by Fabio
Testi, who I remember from Lucio Fulci's "Four of the
Apocalypse (1974)." This teacher is married to a teacher, but he's having
an affair with a student. He becomes a suspect when the
body count begins and when his student girlfriend is
killed, he becomes determined to find the killer. His investigation leads him to the girl who holds the
key to the killer's identity. Her name is "Solange." But
she's not talking. In the end, he learns that the world of teenage girls
is more twisted than he thought possible. The film has the feel of one of Dario Argento's early
works, like "Bird of the Crystal Plummage (1970)." It
doesn't have the same kind of fantastic murder scenes,
but there's more nudity in it. That's a good thing for a few reasons. It will keep
the perverts in the audience interested. But also, this is
a film about college girls, sex and consequence. Holding
back on the images would water down the impact of the
film. "Solange" has the same composer as "Bird," Ennio
Morricone. And he jangles our nerves with a chorus,
piano and harpsichord. One word of warning to horror fans not familiar with
giallo films from the early 1970s. The plots can move at
a snail's pace. But that doesn't mean they're not
interesting. In "Solange" that slow pace actually works to the
film's advantage. By mid point, when Testi's teacher
character is baffled by the killings and unable to find
any clues, we feel his frustration. How many more girls will die before the terror is
over? Only "Solange" knows for sure.
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